Thursday, April 30, 2015

We love a list

I'm grateful to Broadcast (paywall) for their follow-up work on the vacancy for Director of BBC Studios. Applications officially closed Monday, but the tv trade mag has taken a punt at the runners and riders - and nearly all have a Beeb background.

They're pretty sure Peter Salmon, BBC Prince of the North and King of the Rest of England, is in play, as well as Lorraine Heggessey, who seems to be between jobs and watched a lot of Masterchef. Their other top name is Wayne Garvie, who is chief creative officer for Sony Pictures International - but doesn't seem to have had his emails exposed. His Twitter is still working...


Broadcast also reveals that our old friend, Dom Loehnis of headhunters Egon Zehnder has been out and about with his feather duster, tickling up candidates for the job. Dom, of course, helped Lord Patten uncover George Entwistle, and counts David Cameron as a chum. Dave, of course, worked for Carlton TV, but this vacancy has come at a difficult time...

Peeled

Radio 1/1Xtra boss Ben Cooper and his Head of Music Policy George Ergatoudis have been sharing their insights as top of the bill at the Worldwide Radio Summit in Hollywood, alongside such luminaries as Bubba The Love Sponge.

You might have thought one BBC superstar was enough to manage the 40 minute slot, but George was also being awarded the title International Music Person Of The Year.

A little like Miliband with Brand, Cooper adopted his apercus for the American audience. On BBC Radio's experiments with visualisation, for example: "I don't think our audience is interested in the image of jocks scratching their asses between two songs".

George noted "a huge disruptive monster is coming down the hill", with Apple about to introduce streaming services "with a huge amount of learning from traditional radio." And, it seems, a good number of production staff from Radio 1. Maybe Ben and George should have stayed at home and cuddled them into staying with Auntie.

Bearded

Not vital, but I've just caught up with Sir Michael Lyons' goatee. In case you're a subscriber to the niche publication I Spy Former BBC Chairmen...

Wednesday, April 29, 2015

Doctor's note

FOI factoid. BBC staff were healthier in 2014/5.  81,984 days worth of work were lost to absence through sickness, down from 85,068 in 2013/4.

News - the biggest department - lost 35,513 working days. Nations' staff had the longest time away - an average of 6.1 days per employee, compared with a BBC-wide average of 4.1.

Before the Mail starts looking up synonyms for "skivers", 4.1 is below the ONS national average, which stands at 4.4 days per employee.

Heated exchanges

Trouble on the production line at Al Jazeera America, where Matthew Luke has filed a claim for $15m in damages, alleging he was fired for blowing the whistle on his boss's sexual discrimination and discriminatory, anti-Semitic and anti-American remarks such as 'whoever supports Israel should die a fiery death in hell'.

His boss was Osman Mahmud, currently described as Senior Vice President Broadcast Operations. Osman has a British passport and a US Green Card. He studied at Westminster University, and seems to have worked as a freelance in video editing and control rooms for most of the world's tv news operations, including the BBC, Sky, CNN, CNBC, Thomson Reuters, Bloomberg.

Matthew Luke was looking after video archives for Al Jaz in Washington.

Mahmud says the sexual discrimination allegation is a pack of lies and he never uttered the words complained about by Luke. In perhaps an unwise email conversation with the Washington Post, Mahmud accuses Luke of being an "an aggressive person. He yells at you."

Buy back

BBC Worldwide has taken a 25% stake in Perfect Curve Media. It's a recently-formed indie, created by a management buy-out of Cineflix's London operation, by Camilla Lewis and Rob Carey.

Camilla, 46, has a long track record of making programmes for the BBC, both from the inside and out - including Michael Portilllo's Great Railway Journeys. Less successful ideas included Ronnie Corbett's Supper Club - one episode only, for UKTV's Food channel.  She also help set up The Promise Foundation.

Here's more of her cv.


Target practice

Mmm. BBC Worldwide CEO Davie told a London conference today that the BBC Store (a sort of iTunes for IPlayer) will be beta-testing in June, and in live service in late summer. "In Britain that could mean anything from mid-July to mid-October, but I'm going to say late summer."

First operational date was described as "March 2015", as late as last year, then it shifted to "Second Quarter 2015".

Green stuff

Lord Hall has attracted some big American cheeses to the Royal Television Society's two day convention in Cambridge in September, which he is chairing, and the BBC is sponsoring.

David Zaslav is CEO of Discovery Communications. His latest pay package was $156.1m -  $3 million in basic salary, $94.6 million in stock awards, $50.5 million in option awards, $6.1 million in non equity incentives, and $1.9 million in other compensation. The “other” category includes $296,930 for personal use of the company plane, a $16,800 car allowance and $16,619 for personal security.

Philippe Dauman is CEO of Viacom - his 2014 package was $44.3m - $3.9 million in basic salary, $12.3 million in stock, $7.5 million in options and a performance-related bonus of $20-million.

Josh Sapan, CEO of AMC Networks (now joint owners of BBC America) is thought to have taken home $36.4m last year.

Michael Lombardo is Head of Programming at HBO, part of Time Warner. I can't find a salary, but he's got Game of Thrones and is probably doing alright.

Lord Hall gets just over $810k at today's exchange rates, plus a driver and occasional security.


Thought

Not really my business, but I wonder if we could have an instant re-think on the duration of the next Parliament ?

Nobody wants to seen another election within months - we're bored enough with this campaign. But should a deal short of a formal coalition include a pledge to go to the country in, say, one year's time ? This might deter minor parties from messing around by threatening to combine on strategic issues and defeat the next tenants of Number 10 in a confidence or other major vote.

Then maybe all parties should be made to produce real and final manifestos, rather than campaigning on errata slips, half-baked overnight ideas and "red lines"....

Intercontinental empathy

Tuesday, April 28, 2015

Benchmark

And while we're on about executive salary comparisons, I'm grateful to the Press Gazette for details of Ashley Highfield's latest year as CEO of Johnston Press. Highfield's package for 2014 was £404k basic salary, £11k benefits, £483k annual bonus, £645k long-term incentives and £106k in pension enhancements - £1.65m for the year.  Next year his basic goes up to £430k - a 7.5% rise.

Ashley left the role of Director of Future Media and Technology at the BBC in 2007, taking home that year a mere £466k. The man representing techie stuff at Executive level for Auntie is polymath James Purnell, who's on Twitter and everything, and paid a paltry £295k.

Empty chair

Sandi Toksvig is stepping down as chair of Radio 4's The News Quiz.

The programme started in 1977, an early creation of wunderkind producer John Lloyd, apparently from an idea by Nicholas Parsons. Initially the two sides were billed as Private Eye v Punch, refereed by Barry Norman, with team captains Richard Ingrams and Alan Coren, each joined by one supporter with connections to the publications, however loose. In the first year, these included Clive James, Tina Brown, Russell Davies, Lord Oaksey, Clement Freud, Barry Fantoni and many more. The questions were compiled by Lloyd with co-producer Danny Greenstone. Bits were read out by Radio 4 newsreaders, the first being John Marsh.

Once settled, later producers included Douglas Adams, Griff Rhys-Jones, Geoffrey Perkins, Harry Thompson and Armando Ianucci. Barry Took followed Barry Norman as chair in 1979. The Punch v Private Eye element faded away, but not Alan Coren, who stayed for 30 years.  Richard Ingrams resurfaced in the 90s.

Simon Hoggart followed Barry Took, then Sandi assumed the chair in 2007 - a mere eight years' service, though she had been a panellist off and on for the previous five.

Plumber's mates

This blog has occasionally reported on the radio production and business acumen of John Myers, sometime adviser to BBC Radio.

Radio management at the BBC will be pleased as punch to note his disagreements with HMRC over tax on his 2005/6 salary, when he was running the Guardian Media Group's radio operations. This Is Money says his salary for the year was £6.3m. Myers stepped down as CEO in March 2009, but continued to be paid as an advisor to the Group on regulation and DAB.

For 2005/6, the BBC was in the showbiz hands of Michael Grade and Mark Thompson. Jenny Abramsky was running radio, on what turns out to be a mere £322k.  That's a 95% discount on Mr Myers take-home pay.  Mark Thompson was struggling to make ends meet on £619k - an 85% discount on Johnny's deal.

Mr Myers planned his tax reporting through NT Advisors. (Other clients, for different schemes, included Chris Moyles.)  He was assigned an option to buy shares in Stony Heating Limited, exercised it to the tune of £6m, then sold the shares a few days later for £552.  The "loss" reduced his tax bill for the year from £2.4m to £130,000.

SHL's main asset was a plumbing supplies shop in Milton Keynes, jointly owned by Mark Jenner, who knew it from the days when he was an apprentice plumber. It was virtually a dormant business in 2005, when Mark's brother Matthew, a partner in NT Advisors, lighted upon it.  Stony operated out of Vicarage Road, Stony Stratford, but in 2006 it became a company incorporated in Tortola, British Virgin Islands, and thus an ideal home for John's £6m.

Monday, April 27, 2015

Too far

There are no certainties any more at the New York Times. In October last year, it dropped its chess column. Today it has announced that the thrice-weekly bridge offerings, provided by Welsh ex-pat Phillip Alder, now with a US passport, have run their course.

Phillip moved to the States in 1985. and is based in Hobe Sound, on Florida's east coast, just north of Palm Beach, and St Louis, where he occasionally takes to the card table at Bridge Haven.  

Extras

In a world where television news will eventually eat itself rather than report on things that have actually happened, Sky's election night coverage is to be enhanced by a behind-the-scenes live special, broadcasting on Sky Arts 1HD, switching between fixed cameras set up around their Osterley and Westminster studios. Commentary will be provided by Mark Longhurst, with Martin Stanford roaming around with a mini-camera. 10pm til 8am. Marvellous.

Meanwhile the BBC will be ensconced in their own crinkly tin shed in Elstree, but are clearly wishing they were really in W1. Not only will there be projections on Broadcasting House, but a UK map will be squeezed on the floor of the Entwistle Piazza, twixt the pesky rising bollards and reception. Land's End may actually spread out into Regent's Street. Exciting.

Pattern recognition

We are delighted to note that former BBC strategist John Tate has stepped up from COO at Tamkeen (part of the Abu Dhabi Executive Affairs Authority) to CEO.

This presumably means Jason Harborow has left Tamkeen. John paid tribute to Jason as recently as December via the business-persons-Facebook, Linkedin.

"Jason is the most dynamic and at the same time focussed person I have ever worked with. He finds and focusses on the most important things to drive results but, thanks to his enormous energy and capacity for detail, this never comes at the expense of the little things. Internationally experienced and having driven home some massive projects, Jason also has enormous pattern recognition - bringing insight/foresight to bear on situations from more angles than any other manager I've worked with. An all-round exceptionally capable leader of people and projects."

Collection

Whatever happens in Charter Renewal, the BBC wants to spend less on collecting the licence fee. It's advertising for a "Solution Architect" (Private Eye take note), to keep an eye on what principal contractors, Capita, are proposing to change over the next three years in the various ways they encourage us to part with £145.50 p.a.

The ad reveals that last year, TV Licensing made 85m direct contacts with customers (through outbound mail, email, SMS, outbound phone calls and visits), handled over 7.5m incoming phone calls, managed a database of over 30m records and processed 163m payment transactions. In total, the process provides employment for 1,600 people, responsible for analytics, marketing, web, contact centre, back office administration, field and prosecution services, collections, offshoring, IT, funds management, print and postal services.

Hang on, did they say "offshoring" ?

Poster Boy

Some more odds and ends from Television Centre are up for online auction on Thursday. Items include pull-up posters for the Andrew Marr show. Don't tell him, eh ?

Dramarama

Tricky stuff, tv drama. Poldark (Season 1) finished with 5.9m for BBC1 in the overnights, and Vera on ITV (over a two hour slot) improved to 5m.

Meanwhile Channel 4 put on a film, The Impossible, and were rewarded with 1.37m. This is a considerable improvement on the last episode of Indian Summers, which only attracted 830k in the overnights.

At the start, this was being hailed as C4's biggest drama breakthrough for years, combining essence of Jewel in the Crown with Marigold Hotel zeitgeist. Live and catch-up figures for the first episode totalled over 5m. By episode three, C4 had announced that there was to be a second series, then watched the viewers drift away. Series One needs really strong figures in the PBS Masterpiece Theatre slot later this year for the investment to look sensible.

And a second series in the UK will need cuter scheduling...

  • While we're on, the BBC seems to be stretching what BBC3 may or may not stand for by showing repeats of Happy Valley. Is it possible that they thought it would be closed by now ?

Sunday, April 26, 2015

Guessing it's a test....

Somebody will need a big pointer on election night.



















Presumably there'll be an ice-rink in the piazza, with Rick Wakeman playing special Jean-Michel Jarre arrangements of Fire and Ice, as Torvill and Dean skate endlessly around Dimbleby.

Saturday, April 25, 2015

Knowledge transfer

Former BBC DDG Mark Byford (incorrectly captioned below) is still keeping the Candle of Journalism alive, helping journalism students at Winchester University.

This brief interview indicates a prescience about the BBC's quest for "better", currently lighting up the documentary series W1A - and the emergence of a new coinage, "skilling", previously only thought to refer to 19th Century Scandinavian monetary units.


Revision

A little reminder this week of what the SNP might do with an enhanced mandate north of the border - at least one MSP has got his eyes on BBC Alba.

Michael Russell, member for Argyll and Bute told the Celtic Media Festival "Scotland’s renewed democracy, and the thirst for information and radical perspectives, creates a good chance of an even more successful repositioning for BBC Alba, if it chose to take it....A channel not only of language, but fully engaged with community and country."

Just saying...

St George's Day passed without the announcement of new Knights of the Garter. The country's highest and oldest order of chivalry is at least three short of its usual complement of twenty-four - but perhaps the Queen's political acumen came into play, during this General Election campaign.

Two former Prime Ministers, Blair and Brown, remain available for selection. Some thought a place might be found for former Tory party and BBC chairman Lord Patten. Maybe something will happen post-May 7 - still in time for the traditional dressing-up-in-Windsor shindig, in June. We might have also added to the list of former Prime Ministers.

Friday, April 24, 2015

Alright, mate

Now, with the formal resignation of executive producer Andy Wilman, we have the full set of the Not Quite Top Gear team in the pitlane waiting for offers.

Wilman conceived the current incarnation of the programme over a long lunch with Jeremy Clarkson in 2001 - complete with aircraft hangar and supercar obsessions. They were mates from Repton days - originally, the anonymous white-suited test driver was to be called The Gimp, but when the first appointee rightly rejected the honorific,Wilman and Clarkson lighted upon The Stig, a nickname given to new boarders at their school.

Andy was born in Glossop. His dad was in textiles, with a mill making tea towels and dish-cloths. Older brother Stephen was the family petrol head, racing bikes and winning titles at motocross. Andy failed his driving test three times.

At Repton, Jeremy brought his extensive Dinky collection, but by the sixth-form seemed to have convinced the teachers he needed a real car. "We used to go off in it to the girls' school. We had a laugh. We messed about. We weren't there." Andy wasn't expelled, but flunked his A-levels and went to London for re-sits. After a spell in MacDonalds, running a deli and flirting with the idea of a being an actor, he settled on Russian and American Studies at Keele.

Degree acquired, he bumped into Jeremy in London again, who was by now writing for local papers. Andy punted one at Auto Express - and they took it. He learned his trade on the job, and with the help of an occasional phone call to Clarkson, stayed with Auto Express for four years. Then the BBC approached him to be features editor for Top Gear magazine. In 1994, he joined the Top Gear programme proper - and appeared on camera in 35 episodes, mainly in unlamented spin-offs such as Top Gear Waterworld. Here's a feature in which he deploys his Keele degree.

Let's hope the next Wilman/Clarkson lunch is productive.

Mark Jones

Mark Jones, who ran the BBC Sound Archives for fifteen years, has died at the age of 67.

Blessed with a hugely well-stocked mind, plus a deep and constantly-growing fund of gossip (told either with a twinkling eye or iron certainty, depending on the recipient), he moved from archivist to programme-making in style, making most recently audio-books that tell the story of the First World War, D-Day and Radio 4 itself through BBC recordings. It would be nice to hear at least one of these 50-or-so programmes in the Jones Back Catalogue actually “on air” as a tribute to his research and writing skills.

His knowledge and love of the archive, and understanding of the rights minefield, were also pivotal in establishing the style and ambition of Radio 7, now Radio 4 Extra. He worked with Jonathan James-Moore, ex-head of Radio Comedy, to produce dummy schedules that shaped how the channel sounded from day one.

Like many, his route into the heart of the BBC was slightly oblique. Educated at Haberdashers’ Monmouth and Bristol University, he moved on to York, where he abandoned an M.Phil course after two years, slightly puncturing his ambition of an academic career in the emerging field of American Literature studies. How he turned the corner into a job in the BBC’s personnel department, looking at grading issues, probably ought to remain a mystery (though it remains an extra endearment to this writer).

He stayed three years in the world of job evaluation. He managed at least a couple of what BBC insiders call “trips” in the period. He spent a week on the streets of Lisbon with a news correspondent and film crew during the overthrow of Salazar, in order to determine the salary quotient appropriate to making difficult editorial decisions in dangerous circumstances. All jokes about being paid to watch other people work had been heard by the time he left the department.

At the sound archives, the activity was all about selection – these, we should remember, are the years before the arrival of the terabyte, and radio, even more than television, had to make hard choices about what was best kept. As the boss, he oversaw the computerization of the catalogue, and the move into digital recording.

Mark left the BBC in 1996 for his second career as a writer and producer. He taught at London University's Extra-Mural Department and at the City Literary Institute. In 1998 he won an SWPA Gold Award for “75 Years of the BBC”, a celebration of radio broadcasting. He wrote for the BBC History Magazine and provided all the recordings for the multi-award-winning audio series Eyewitness, a ten-part history of the Twentieth Century. He researched or wrote audiobooks and features on Victorian and Edwardian cricket, Dylan Thomas, Churchill, Alistair Cooke, the Titanic and the Battle of Britain.

As well as being a lifelong lover of radio, and an avid member of the MCC, Mark played cricket for the Bushmen, a team founded in World Service, and captained them in 1981. He also followed the fortunes of York City and Welsh rugby – a bit roller-coaster in recent years, as were Mark’s battles with illness. He smiled wryly and laughed through them all.

Vote often

At the HSBC annual general meeting, there was at least one call from the floor for non-executive director Rona Fairhead to resign. Another shareholder asked Rona to give HSBC Chairman Douglas Flint a job at the BBC - "in the fiction department".  Another said Rona's HSBC salary was "obscene", but Chairman Flint described her as "a fantastic servant".

Deputy Chair Simon Robertson said she'd done a very good job improving relations with US regulators, which had not been first-rate. (I wonder what she can do to improve her relations with Margaret Hodge and the PAC ?)

Nonetheless Rona was re-elected, for one more year, with the support of 96.6% of those voting.

Llongyfarchiadau

There's lovely. There'll be dancing in the streets of Gerlan, Bethesda, this weekend, to celebrate local group 9Bach winning Album of the Year at the Radio 2 Folk Awards, for Tincian. The awards ceremony was held in Cardiff.

I'm confident this is the first time a record in Welsh has won.

First dance

There finally was a bit of a do to mark BBC Worldwide moving into Television Centre. Tony and Tim were the hosts for an event based round Strictly Come Dancing. Presumably early plans to theme around Top Gear, with drives around the Horseshoe Car Park in a reasonably-priced car, had to be dropped.

So there was dancing in Stage 6 Reception, not seen since the Newsnight Barn Dance While Waiting For Late Night Mini-Cabs Society was in its heyday. Natalie Lowe (re-signed for Strictly 2015) and Ian Waite (waiting for the Strictly It Takes Two call-up) fleckerled at the base of the new twirly-wirly staircase, and Bruce, Tessa and Claudia joined Tony and Tim to unveil a blue plaque. This will irritate the official blue plaque lot, and others who put up unofficial blue plaques around Television Centre in the past.

Thursday, April 23, 2015

Curate

In the endless search for a new saviour of Saturday night tv, the BBC's entertainment commissioner (and deputy director of television) Mark Linsey (Hills Road Sixth Form College, Cambridge and Leicester Polytechnic Performing Arts) is giving variety yet another go, this time hosted by John Bishop.

John's Lola Productions, which has a "first look" deal with BBC Worldwide, is recording at the Hackney Empire over four Wednesdays in May and June. This apparently should produce sufficient material for eight shows.

What's new ? The acts are apparently "hand-picked and curated" by John Bishop. This is possibly one of the first sightings of "curation" in this branch of showbiz, which will have Lew Grade and Billy Cotton chortling in their graves. It may also be code for "people you've never heard of..."

You will, of course, see John Bishop again, probably in another cheeky travelogue. Ain't life grand ?
  • An alternative answer for Saturday nights, post the General Election, might be Nigel Farage. His BBC1 interview with Evan Davis, recorded in the Michael Crick Institute, brought in 2.54m viewers (14% share) in the overnights - double the figures achieved by Ed Miliband and David Cameron in the same slot. 

(Land) Bank Crash

The news of Tesco's losses elbowed out much of the broadcast election coverage yesterday - yet few hacks tried to make some obvious connections with wider politics and economics.

Tesco outlets now
Tesco visits were a leitmotif of the 2010 election for party leaders. I haven't seen one major photo-opportunity in a supermarket in this campaign. Under Sir Terry Leahy, growth and margins drove success, and a seemingly-never-ending aggressive acquisition of new sites fuelled the continuous year-on-year improvement that shareholders, the City and voters apparently treasure. No question of standing still - and in the post-Leahy years, naughty things were done so the figures kept improving.

After Terry went, agile thinking was required, but his successors sprang from the same mould. Superstore shopping is never enjoyable, and more frequent stops at a range of outlets is what we do now. We also buy more on-the-go-food-as-fuel from coffee shops, petrol stations, and the like.

Tesco were never aspirational - late to in-house quality, with Tesco Finest - apart from on price-cutting.  From my observations, they've always found it hardest to keep the first-impression-fruit-and-veg area stocked and tidy, and it's more difficult to find a smiley member of staff.  Stories of un-smiley suppliers - from farmers to big brands - abound. And there are few smiley faces when you take on Tesco in a planning battle. In many ways, Tesco set the value of land at key junctions around our major towns and cities, and now they have to live with the fact nobody else wants it as much.

At the bottom of Holloway Road, the entrance to Tesco Metro is dominated by a Krispy Kreme Donut dispenser, and a uniformed security guard on a podium. Opposite, in Little Waitrose, it's croissants and free coffee, and a security man in a suit who helps you with the free coffee for card-holders. In the Tesco Metro, there's always queue anger, as we hide Tesco Value products from other customers, and shout demands for the cigarette counter to be opened to ease the crush. In Waitrose, we line up patiently, proudly heaving baskets of Waitrose Essentials, and smile as we're directed to card payment tills. We're sometimes a bit sniffy about the wine prices -"Have you seen the wine in Lidl ?" - but generally we leave with much less for much more, and leave happy.

One familiar way to get back to "continuous growth" is to take a big markdown, as bit like we did with the recession - which enables you to point to "improvement" in subsequent years, as you get back to the old habits.  Tesco needs to think of new ways, new aspirations, new things to do with its assets (which have been revalued, not sold).  So do our politicians.

Wednesday, April 22, 2015

Obsession

There seems to be a never-ending stream of crime books coming out of ex-BBC News hacks. The latest is a tale of obsession, penned by former editorial pillar of 6 O'Clock, Cathy Hunt, now styled Catherine for literary purposes, and called "Someone Out There". It's published by Killer Reads, Harper Collins' new digital-first brand.

Eleventh heaven

The BBC has finally confirmed that 11 is the new "SM3". For new readers, this is grade-speak. Officially the BBC has two rates of pay for Senior Managers - the lower SM2 (which used to be "free car") and the higher SM1 ("free car and petrol").

In a response to a Freedom of Information enquiry, the BBC says that 14 staff on Grade 11 are currently included in the Senior Management total headcount and paybill.

Consultants from McKinsey promised to help Lord Hall slash BBC management and their meetings structure. When he formally arrived in April 2013, the Grade 11 headcount stood at 729. At the end of November last year it stood at 795. With today's news, you could, if you wanted add the extra 14 back, to get a total of 809. And remember, more than half the staff on Band 11 are paid above the published salary ceiling of £70k.

Adopted

The new owners of BBC America put whatever welly they could muster behind the launch of Series 3 of Ophan Black at the weekend. The made-in-Toronto clone drama was also broadcast on four other AMC networks.

Total overnight viewers on BBC America stuck at 0.54 million, compared with first episode scores of 0.68 for Season 1 and 0.62 for Season 2. But if you add in the audience for the other networks, Season 3 can claim a record opener of 1.27m.

I still need reminding what connection Orphan Black has with the BBC apart from a licence-fee safety net.

Tuesday, April 21, 2015

Help yourself

Someone is making the BBC's David Holdsworth bend over backwards to be nice to local papers. The latest concession is on the "live" online pages run by the BBC around the country, cataloguing weekday events from around 0900-1800. Following pilots in the North East and West Yorkshire, local papers will be able to push "their strongest stories" at this stream-of-news, with links back to their own sites. No detail is given on editorial controls - presumably cat stories are welcome. Nor is there any sign of a reciprocal element.

This is what it looks on today's BBC West Yorkshire local live page.


Interval controls

The BBC has advertised for a Director, BBC Studios - and anyone seeking detailed enlightenment as to how this licence-fee funded super-indie will actually work will be disappointed. Indeed, candidates are required develop a clear vision and strategy for the role, presumably in the current absence of anything other than that which can be written on the back of a postcard.

The job requires a "superlative communicator", who is a "top talent magnet" and "highly-action oriented".  Or a good talker with a reputation who actually does things.

Something of the accountabilities (things you have to do) were drafted at a West London business studies evening class.

  • Drive an efficient, flexible and ever-evolving operation where all functions, services and business support are high-performing.


  • Work seamlessly with BBC Worldwide (enabling a virtuous circle between primary and secondary exploitation) within the appropriate fair trading boundaries. 


  • Oversee the delivery of agreed creative and financial performance objectives including the budget process. Ensure all interval controls are robust and fit for purpose.

Monday, April 20, 2015

Bloody-minded

A wesbite called Capital micro-tracks internal activity at the New York Times, and offers these latest insights from CEO Mark Thompson...

“I certainly am sanguine that we can derive significant revenue from niche products, and we may well derive consumer revenue and in some cases that may be straightforward subscriptions or add-on subscriptions. But I think it’s fair to say, we’ve got some bigger questions to answer about our audience first, before we can replicate our current subscription model.”

I'm rather pleased he's out of the BBC.

Adding up

The launch strategy for the Victoria Derbyshire show is in a bit of a tangle this week. It loses its transmission slot on BBC2 on all but one day to live snooker. Despite all the trails, last week's average audience on the channel was below 100k. Traditional BBC daytime monsters such as Homes Under The Hammer (855 episodes and counting) get over 1m in the same slot on BBC1, even if the audience can't remember whether they've seen it or not.

Victoria still has her window on the News Channel, where figures are harder to find. James Harding may be wondering whether a January or September launch might have had more impact, away from all the extra election stuff.


Bottom of the garden

The Scion of Southwark, Today's Justin Webb, may be courting trouble with the planning authorities if he keeps banging on about his shed, nestled behind his Camberwell mansion.

This weekend he told Atticus in the Sunday Times he's regularly sleeping there."It’s really hard getting a bit of shut-eye if you go to bed early in our house, but if I head out to my garden shed at 9pm, I can get at least a guaranteed six or so hours’ sleep. That’s the only way of doing it if you’ve got teenage kids.”

As well as a sofabed and shower, the shed has other mod cons, as revealed in Twitter conversations last year with Janice Turner aka Victoria Peckham, of The Times and Camberwell.

Some houses in Justin's road are Grade II listed, though not his. Thus a shed may be a permitted development, but not, I fear, as living accommodation.

Sunday, April 19, 2015

Go compare

Here's an new assertion about BBC management pay rates that might need a little testing.

The BBC has been quite public about the "discount" to commercial salaries suffered by its executive directors - the Annual Report says that discount is between 50% and 80% and the average discount is 72%. (There are seven BBC Executive Directors - costing, on the last published figures - £2.56m to run per annum. The BBC claim is that, without the discount, that total would be £9.1m).

Now, in response for a Freedom of Information request, Auntie has revealed the discount applied to the two Senior Management grades - SM1 and SM2.

The BBC policy is that pay for Senior Managers at SM1 level should be discounted by between 30% and 50% against the commercial sector and that that pay for Senior Managers at SM2 level should be discounted by between 20% and 30% against the commercial sector. 

As at 30 September 2014, 97% of the BBC’s Senior Manager population have a salary that is discounted against the commercial sector. 60% have salaries that are discounted by more than the agreed range, and a further 25% are discounted within the agreed range. 12% are discounted, but below the agreed range.

103 staff were graded Senior Management as of June 2014. Five people on the disclosed salary list have HR (Human Resources) in their job titles - and their average salary works out at £160k p.a. Seven managers on the disclosed salary list have finance in their job titles - on an average salary of £184k.

Saturday, April 18, 2015

Vocabulary test

You get the feeling that if Sir John Tusa's career had gone in a different direction, the modern BBC would not be quite so capable of parody. At 79, he's still presents a formidable challenge to both structural weaknesses in the Corporation and management bollocks.

This week he was out and about as a guest speaker at the BBC Pensioners' Association annual general meeting. But not as one of them. He said he signed up fully to the scheme as a news trainee in 1960, but took a break from Auntie five years later - and a financial adviser advised him to cash it in.

He also revealed details of a 2011 private visit he made to BBC chairman Lord Patten, trying to flag up the risk to World Service standards and values in putting it under the control of hacks with a domestic agenda and budget to deliver. Even now, he feels the systems put in place to run the World Service under licence-fee funding do little to protect its global relevance. Unsaid, Sir John still regrets leaving the management of World Service in 1993, just as John Birt stepped up from running news to the full DG's role.

Words matter to Sir John, and he repeated his call for the BBC to drop a few. If only they could "elbow out the dead, mechanical, reductive vocabulary of accountability, systems, process, genres, formulae, consumers, marketing, targets, objectives, distinctiveness, compliance, bench marking and risk analysis, what a great organisation the BBC could be."

Friday, April 17, 2015

Taking the ....

BBC World is to be allowed to trial product placement on programmes that are not designated as "news and current affairs".  According to marketing supremo Chris Davies (Latymer and UEA) it will be permitted on "a range of feature programmes focusing on topics such as sport, travel and technology. We already use sponsorship for these kinds of programmes."

BBC house organ cites "Working Lives" as one possibility.  I haven't seen these shows, but they are often presented by BBC Business hacks - and I find it hard to believe product placement is appropriate at all. Will sport programmes feature anchors drinking branded-coffee ?  Will travelogues all be fronted by Berghaus-ed presenters (oops, sorry, that already happens...)?

Those of you who travel will perhaps help to spot the first

Vibe

Whilst Beeboids in London take their post-shift drinks corralled by chainlink on the fume-filled pavements of over-priced bars, at least MediaCityUK offers Auntie's workers more generous open space. From 1st May, some will be occupied by The Shack - a pop-up tiki bar, serving “big, fun, fruity” cocktails including Mai Tais, Mojitos and Zombies as well as wine and beer, salads and sandwiches, plus a barbecue on Friday evenings.

Steve Pilling, owner of The Dockyard Bar (a permanent offering) is running it, and promises "a real relaxing holiday vibe".

Ephemera

An intriguing combo - Wikileaks, Dr Who and Danny Cohen. The leaky boys have just released a range of emails and documents nicked from Sony.

If right, they reveal that the BBC is setting up an eight-year plan for Dr Who, and that timeline will probably include a feature film. Director of Television Danny Cohen has apparently briefed Andrea Wong, London-based boss of Sony Pictures. Her boss, Michael Lynton, suggested meeting the "showrunners" (currently Steven Moffatt), but Andrea reported back Danny's view that the timing was wrong - they'd already come under pressure from BBC Worldwide on the film front, and weren't happy.

Other bits - Danny thanks Michael Lynton for an introduction to Tom Rothman of Tristar Pictures. He apologies for a late email response - "just back from vacation this morning and we stick to Noreena's digital-free policy when we are away !" Let's hope he's got an effective dep lined up.

Over

A career in broadcasting regulation means you often bump into people again and again, sometimes travelling in different directions.

Take Alex Towers, the new Director of the BBC Trust, preferred by Rona Fairhead to mount what maybe its Last Stand. A degree in history from Robinson College, Cambridge leads, after a rather blank couple of years in the cv, to working for Tessa Jowell at the DCMS in 2002. Alex is part of the Bill Team working on what would become the 2003 Communications Act, alongside Peter De Val (spookily now Head of Legal at the BBC Trust). The Act set up Ofcom (from an idea by one James Purnell), and Alex went to work for it on its first review during 2004.

In 2006 Alex came back to the DCMS, with Tessa still at the top, but with James Purnell as Minister of State. Alex looked after the UK Humanitarian Assistance Unit, and was line managed by one Alan Davey, now of Radio 3.  

In 2007, James Purnell stepped up to Culture Secretary, and Alex switched to support Nicky Roche in the emerging Olympics Unit.  At that stage, Jon Zeff outranks our Alex, joining the DCMS as Director of Broadcasting. Margaret Hodge joined the department as Minister for State. In 2008, Alex took a career break, before joining the BBC Trust the following year.

Cricket also features in Alex's connections. On coming down from Cambridge he turned out for the famous Calthorpe Cricket Club in Crouch End, and occasionally for the less-organised London Erratics. They featured players like Bill Bush, whose career went from BBC to Blair to DCMS to the Premier League.  Alex will need a steady line and length if he's to hang on to his new post in the next Charter....






Impact

Piers Morgan has tweeted some ratings from his appearances on the ITV Good Morning Britain sofa this week...and chosen to compare them with the same week last year.

Mon: GMB 590k (16.8%) v Daybreak 490k (14.8%)
Tues: GMB 561k (16.1%) v Daybreak 426k (12.6%)
Wed: GMB 563k (15.8%) v Daybreak 429k (12.6%)

The share is probably a better judge of popularity than the raw numbers, with Easter holidays affecting 2014 and 2015 slightly differently. Daybreak in the last weeks of April 2014 was a dead duck walking, with Aled Jones and Lorraine Kelly soldiering on as the GMB team prepped up for their launch on 28th April. That first show hit 800k in the overnights, with the audience dropping to 600k later in the week. So there'd be no interest in that comparison, would there ?

Thursday, April 16, 2015

Tough

Rona Fairhead, who has clung to procedures and process as a defence of her oversight work at HSBC, seems to have abandoned a little of best practice at the BBC Trust.

Alex Towers has been announced as the new Director of the Trust. I can find no record of an external ad for this vacancy. The current director, Jon Zeff, arrived from the DCMS only nine months ago.

Drinkie poos ?

The evolving wine, beer and spirit preferences of the BBC can be tracked in latest figures released under Freedom of Information.

The BBC spent £45,732.67 with its central supplier over the year - unstated, but almost certainly Majestic Commercial. That's up from £42,971.38, which could be a reflection of price inflation. Top wines in bulk - an Australian Merlot, and a Pino Grigio from Veneto. Pleased to see three bottles of potato vodka on the list, though the Mail will no doubt say it's a Commie plot.

Count

Just over a week to the big election. Yes, Friday 24th April sees the Annual General Meeting of HSBC, at the QEII Centre in London, where Rona Fairhead's name goes forward for re-election as a non-executive director.

The Daily Mail has found that Trillium Asset Management (Socially Reponsible Investing) and CBIS (A Trusted Investment Partnerfor Catholic Institutions andConsultants Worldwide) in the States think she should go. They control around £4.9 billion of HSBC assets - but that's from a total of £1770 trillion.

The BBC Trust chairman and bank have made it clear she's only seeking one more year. We may get a feeling of whether or not she'll hang on from the informal pre-meet with shareholders in Hong Kong on Monday.

On the nest

Congratulations to Sam Hodges, currently running communications for BBC Television, who's about to jog down Regent Street to Twitter's Piccadilly HQ.

Sam (BA English, Lancaster) joined the BBC as a temp on the IT Help Desk in Pebble Mill ("I knew nothing about computers"). From there, he inveigled his way into cover shifts with the press team, and thus a star was born.

His career has moved between the BBC, ITV, Channel 4, Toby Carveries, and "freelance". As the Guardian notes, his Twittering of good overnight viewing figures has been a daily entertainment. Unsurprisingly, his recent follows include at least a dozen Twitter names I can spot...

Paper weight

There'll be some schadenfreude in the BBC's spin machine over the news that the Daily Mail has displaced the Guardian in terms of newpaper-copies-centrally-purchased for the perusal of Auntie's hard-pressed workers.

One of my leading digital ninjas, however, points out that the total number of print copies has gone up, compared with two years ago.  This is odd. The Times, FT, Telegraph and the Sun have full or partial paywalls. Even so, digital subcriptions are cheaper, and bulk log-ins are available at a further discount. In London, at least, BBC journalists have come together in one building, as opposed to three - so you think there might be more sharing. And across the country, the BBC's lighter journalistic agenda has been increasingly led by editions of Metro, free.

After all, the paper you're reading to bone up for that morning meeting of coruscating original ideas and insights, has already been outdated by the paper's website - and perhaps by some of the BBC's own extensive output.  

The BBC asserts "We are working to embed sustainable practices across the BBC and make changes that will result in carbon and cost savings in technology, buildings and procurement."  The policy was signed off in 2012 by one Mark Thompson, in a note that says it will be reviewed in 2014. No update online.

Wednesday, April 15, 2015

BBC bits from the 2015 manifestos

LABOUR: Our system of public service broadcasting is one of Britain’s great strengths. The BBC makes a vital contribution to the richness of our cultural life, and we will ensure that it continues to do so while delivering value for money. We will also commit to keeping Channel 4 in public ownership, so it continues to produce vital public content.

CONSERVATIVE: A free media is the bedrock of an open society. We will deliver a comprehensive review of the BBC Royal Charter, ensuring it delivers value for money for the licence fee payer, while maintaining a world class service and supporting our creative industries. That is why we froze the BBC licence fee and will keep it frozen, pending Charter renewal. And we will continue to ‘topslice’ the licence fee for digital infrastructure to support superfast broadband across the country...

We will use our membership of NATO, the EU, the Commonwealth, our UN Security Council seat, our Special Relationship with the USA, our intelligence agencies, vital institutions like the BBC World Service and British Council, and the strong personal links between our diaspora communities and other countries, to achieve the best for Britain.

LIBDEM: We will protect the independence of the BBC while ensuring the Licence Fee does not rise faster than inflation, maintain Channel 4 in public ownership and protect the funding and editorial independence of Welsh language broadcasters.

To promote the independence of the media from political influence we will remove Ministers from any role in appointments to the BBC Trust or the Board of Ofcom.

We will maintain funding to BBC World Service, BBC Monitoring and the British Council.

GREEN: Maintain the BBC as the primary public service broadcaster, free of government interference, with funding guaranteed in real terms in statute to prevent government interference.

UKIP: Currently, British intelligence is fragmented between a number of agencies, including MI5, MI6, GCHQ and BBC Monitoring. All have different funding streams and report to different government departments. This generates a significant overlap in work and resources and risks exposing gaps in the system.

UKIP will create a new over-arching role of Director of National Intelligence (subject to confirmation hearing by the relevant Commons Select Committee), who will be charged with reviewing UK intelligence and security, in order to ensure threats are identified, monitored and dealt with by the swiftest, most appropriate and legal means available. He or she will be responsible for bringing all intelligence services together; developing cyber security measures; cutting down on waste and encouraging information and resource sharing.

PLAID CYMRU: We will devolve broadcasting to Wales and implement recommendations on broadcasting made by Plaid Cymru to the Silk Commission. These include establishing a BBC Trust for Wales as part of a more federal BBC within the UK. Trustees would be appointed by the Welsh Government and the appointment process including public hearings held by the National Assembly for Wales. Responsibility for S4C, the world’s only Welsh language channel, would transfer to the National Assembly for Wales, as would the funding for the channel that is currently with the Department for Culture, Media and Sport. We will ensure that S4C is adequately funded and that the channel maintains editorial independence. Again, the Welsh Government should appoint the board members of the S4C Authority following public hearings.

We support establishing a new Welsh language multimedia service to operate online, on radio and other platforms, in order to reflect the needs of Welsh language audiences and improve current affairs coverage in Wales. Ofcom’s office in Wales should have greater powers, including the authority to take licensing decisions. The members of Ofcom’s Advisory Committee for Wales should be appointed by the Welsh Government. This would be best achieved by the federalisation of the work of Ofcom in a UK context.

Once may be enough

I wonder if he'll tweet this. Good Morning Britain, with guest host Piers Morgan alongside Susanna Reid attracted an overnight average of 591,000 viewers on Monday. That represented a share of 16.9%, which is above ITV's apparent target of 15%. The actual numbers are down on figures earlier this year, said to be averaging around 650,000 - but parts of the country are still on Easter holidays.

More worrying for Piers - fewer came back on Tuesday - 560,000 was the average, and the share fell to 16.1%.

First, find your strategy

You just can't keep up with BBC Director of Strategy and Digital, James Purnell - he's decided he needs someone to devise a Digital Strategy. Or more fully, a Digital, Distribution and Technology Strategy [their comma].

This Controller will be paid at SM2, the lower grade of the two management bands - though it might be reviewed, and "has the potential to be SM1." But just so you know your place in the the pecking order, the Controller (Digital Strategy) BBC Policy and Strategy reports to the Director of Strategy, who, in turn, reports to the Director of Strategy and Digital.

And to fill out your diary before you start devising anything, you will be a member of  the Online Leadership Group (OLG), the Future Media Group Board and the Strategy leadership team.

You will "act as a key interface between Future Media, Technology and Distribution and Divisional Directors, the Controllers and Heads of Strategy in other divisions, the Director, Strategy, Director, Policy and the wider Policy & Strategy team to ensure strategic alignment and a One BBC approach to driving forward and delivering on the BBC’s digital vision"

Hell knows where Engineering (last week's new name for Technology) fits in. Maybe Jimmy hasn't caught up with his holiday emails...

And one final word of warning - your application will be forwarded to an unnamed external recruitment company, who will be doing preliminary interviews to create a shortlist. You can't expect busy James and Gautam to do that sort of work, clearly.


Tuesday, April 14, 2015

Agency staff ?

Former Royal Marine Michael Hodder, who followed Brigadier Ronnie Stonham into Room 105 at Broadcasting House, has been talking to Radio 4 about vetting of BBC recruits in the 70s and 80s.

Not much new from the personnel officer with "two or three safes" of confidential material, but when asked about possible agents working on the BBC payroll, he says "I'm not going to go there".  Not, you'll note, "There were none".

His contribution starts at 17 minutes 8 seconds here...  


Tousle head

Dear Sebastian Tobias Shakespeare,

As you approach your 50th birthday, and enjoy the fortunes currently being amassed thanks to the online world domination of the Daily Mail, could I encourage you to reflect on your lineage and their standards ?

Maternal grandfather S.P.B Mais ("Petre") was a cornerstone of the Oxford Times, and first to use the title "Letter from America" in a BBC radio series in 1933. His other radio fame came from talks contributed to Kitchen Front, a magazine show introduced alongside World War Two rationing, which followed the 8am news bulletin. Other contributors were Gert and Daisy, Freddy Grisewood and the Buggins Family.

Father John Shakespeare (Winchester and Trinity, Oxford) progressed via the Irish Guards to the diplomatic service, becoming Amassador to Peru, and was duly inducted into the Royal Victorian Order.

Good stock. And you love the work of great authors, and enjoy the company of publishers, who value the originality of the written word.

Yet Alan Clark, in his diaries, referred to you as "that tricky little prick".

You are formally the "Editor" of your diaries in the Mail. It may be that it's not you but some of your team who are the actual borrowers of material from this blog. All I'd like is a backlink or two. My earnings from Google Ads this year so far are £49.54. The money is only released when I hit £60.

I thank you in anticipation


Bill Rogers


Taking The Mickey

The erudition of my readers allows me to point to a much earlier talking dog - Mickey. He belonged to (Albert) Saveen. Saveen's vent act with doll Daisy May became the basis of a Light Programme radio series after the war, beating Peter Brough and Archie Andrews to the artistic breakthrough by a couple of weeks.

Saveen paired Mickey with a dummy dog, and was sparing with Mickey's comments. The dummy would bait Mickey, and Mickey would end the spot saying "Why don't you shut that ruddy dog up ?" before jumping down from the podium (though that wouldn't have happened on Crackerjack - see below). Another put dog put-down catch-phrase was "Drop dead" - teddy-boy slang of the 50s, but uttered in a posh voice.


Road trip

A busy old February for the Happy Warriors of the BBC Executive, with their monthly meeting split into three parts - in London, Salford and Liverpool.

It was also clearly a time for thinking big thoughts, with a few consultants on hand. On commercialising BBC Production and other matters, they were entertained by a Deloitte Duo of Ed Shedd (sparkly) and Stuart Sparkes (serious).

The Salford session saw the return of Mrs Cabinet Secretary, Suzanne Heywood, of McKinsey (serious), who brought along in-house digital thinker Jay Scanlan (sparkly) to an "extended session on Global and Commercial options" [their caps].  "This was an initial discussion and no decisions were required from the Board at this stage."

Monday, April 13, 2015

How ITV daytime rolls..

Piers Morgan, presenter of Life Stories, is bought in for a week presenting Good Morning Britain, alongside Susanna Reid. He interviews Amanda Holden, who sat alongside side him as a judge in the first series of Britain's Got Talent. Amanda then moves to another sofa, to co-present ITV This Morning with Philip Schofield.

At 8.30am Lorraine takes the conch, and interviews Celia Walden, Mrs Piers Morgan, currently furiously opining for the all-digital Telegraph.

Fearless agenda-setting stuff.


Ruminative

Renaissance man Danny Cohen, Controller of BBC Vision, uses Twitter to promote BBC output, to highlight the plight of Jews in Europe, to discuss the fortunes of Liverpool FC, to enjoy banter with global pop stars, and to remind us, occasionally, of his depth.

This weekend he revealed his final year topics at Lady Margaret Hall, Oxford ("Victorians, Dryden and Katherine Mansfield - warm memories."), and, at 11.42pm on Saturday night, the party animal posted this....


Pro-amateur

Yes, I was one of the over ten million who dipped into Britain's Got Talent on Saturday night. Simon Cowell was excited to see a singing dog, Wendy, and her owner, 61 year-old French ventriloquist Marc Metral.

Odd that, in 2012, America's Got Talent (executive producer -Simon Cowell) brought us a talking dog, Irving, and his owner, ventriloquist Todd Oliver.



Meanwhile Marc is "competing" - surely Simon can't be paying him ? - for a spot in the Royal Variety Performance. He's not unfamiliar with British royalty, have been booked to perform at a private event in Buckingham Palace in 1988 for Princess Diana and her guests - though at that stage, the dog mask had not been developed.

Meanwhile, here's a nearly-talking dog.





  • Saturday night saw the return of Atlantis from its cold store near Chepstow, for its last run-out,(barring online repeats via BBC3 ?), on BBC1. 2.57m (12.4%) watched according to the overnights. This is, apparently, called "burning off" in television scheduling parlance. 

Sunday, April 12, 2015

Not my brother's keeper

I'm all for a bit of burrowing into the private lives of public figures where it clearly might have an impact on their role, say, looking after my money.

The Mail has a story about Rona Fairhead's dead brother and mother, which I won't link to, and, despite re-reading and re-reading, doesn't seem to have any relevance to Rona's BBC role. It's written by Amy Oliver, from Bridport, who went to Beaminster School, then acquired a BA (Hons), Graphic Design and Advertising, from Buckinghamshire Chilterns University College. She started freelancing as a journalist in 2007, then, at the age of 28, paid her way through an eighteen week NCTJ course at Lambeth College. Maybe she didn't write the headline. I'll stop digging.

Screen News

Anyone notice Helen Mirren has a new movie out ?  "Woman in Gold", made for BBC Films by director Simon Curtis, based on an edition of Imagine where Alan Yentob explored the real-life story ?

Helen's been on Graham Norton, Steve Wright In The Afternoon, BBC Breakfast, Talking Movies, Radio Manchester, and Front Row. There have been at least three separate online features, one based on a remark Helen made on Front Row.

This week sees the UK release of "A Little Chaos", made by BBC Films, directed by and starring Alan Rickman, alongside Kate Winslet, Helen McCrory and Stanley Tucci. It's already been "out" in Europe and across the pond. Variety described it as a "formulaic feel-good costumer". Just saying, in case you don't notice it on the BBC.

Saturday, April 11, 2015

The Curse of The River

The BBC continues its unfortunate run with outside broadcasts from the Thames. Three times in the build-up and during the women's race they crossed to Matthew Pinsent on a boat - and three times there was something like a contribution, but on the wrong channel and insufficiently amplified.

Then we got the director's talkback to Clare Balding going out on air during the Tolpolski tribute. To cap it all, unfortunate commentator Jonathan Legard indicated life was essentially at end for the Cambridge women, when Oxford pulled away from the start. A succession of strong women in the box with him patiently made it clear that the race itself was a significant event, and there was kudos to be had in taking part. Will he survive to next year ?

Culture gaps

Less than two weeks to go to the publication of this year's BBC Proms line-up - and there's still no sign of a new Director.  Roger Wright announced his intention to move on from the job (and from Radio 3) in March last year (spookily the day before Bob Shennan was announced as the BBC's first Director of Music).

The recruitment process is being run by Odgers Berndtson. They helped find Alan Davey, of the Arts Council England, for the Radio 3 bit of Roger's job.  They are also helping the BBC and The Arts Council England to find a new Director for digital-something-or-other The Space, as Ruth MacKenzie leaves this month. This vacancy is hardly a shock either - Ruth was appointed to her next berth, running the Holland Festival, way back in 2013.

The Space has also just lost indie tv guru Alex Graham as chairman, and Alan Yentob from its board of directors (he's been replaced by BBC tv executive and cafe-owner Lisa Opie).

[En passant, we note that The Space and the BBC are funding a digital artist-in-residence for Radio 2, welcomed yesterday by a rather machine-driven quote from Bob Shennan. “As the UK’s most popular radio station with 15.3 million listeners, there’s an opportunity for Radio 2 to play its part in Tony Hall’s vision to make the arts accessible to everyone. I’m delighted to announce this exciting raft of new initiatives which enhance and complement our already distinctive programming schedule.”]

Meanwhile, back at the Proms, let's hope acting Director, Edward Blakeman, gets the appropriate limelight for this year's season.  It's another big night for him tonight - the first concert in this year's Wendover Music series, at St Mary's Church, featuring the cello of Natalie Clein and the violin of Antony Marwood. Tickets just £15, and under 18s £1.






Learning new routines

Broadcast reports on the continuing gavotte between the unions and BBC News management over job cuts. The unions have secured yet another extension of a moratorium on compulsory redundancies - this time til the end of June; the Munro-frustrating ban on external recruitment continues, and some new internal job ads, in "Change" and World Service language output, have been put on hold until after the election.

Still there remain more volunteers who want to leave the fun factory than posts that need to be closed. Avoiding compulsory redundancies requires re-inventing existing threatened staff into appealing prospects for different editors - editors who'd rather have more to pick from. In the end, the process consumes management time, irritates HR and the accountants - but often produces good results, with talented people responding well to new career directions.  

Friday, April 10, 2015

Illogical

No, I don't know why Jeremy Clarkson has withdrawn from presenting Have I Got News For You ? on April 24.  You'd think the production company and the BBC would check that he still wanted to do it, before letting it be known it was going ahead as planned. Or maybe the deal was that they'd wait and see what North Yorkshire Police might do about the assault, and once that was a dead end, then just presume Jezzer was on board.

Either way, odd, clumsy and more to be found out...

Agitato

Nervous times in the world of morning tv output. Good Morning Britain, still bumping along with an average audience of around 650,000 tries shock-jock Piers Morgan out next week, presumably to see if some of his 4.41 million Twitter followers will give it a go too. If it works, how will regular male host Ben Shephard (Chigwell and Birmingham) feel ?

It's only a week for Piers, who still likes to draw attention to the US resident status he's had since at least 2011.  It was in March 2012 that police first made editorial arrests in the News of the World phone-hacking case.

Meanwhile the transmission strategy for BBC News' new Victoria Derbyshire show is causing head-scratching. I can't find accurate figures for its impact on BBC2 (where it's ousted a range of life-style show repeats) but on at least one day this week, figures for the transmission on the News Channel in the slot have fallen behind Sky News, who've put on more viewers. Perhaps that's why Victoria was stressing they "do breaking news" to Steve Hewlett on the R4 Media Show.

Thursday, April 9, 2015

Who's running the country ?

Alastair Campbell, in an interview with Civil Service World: “Overall our relationship in Labour with the civil service was very good. In fact, today, some of them still phone me up – totally on the sly, Cameron would be horrified – saying, Alastair, what do you think about this issue?”

BBC election news 3

According to the Twittersphere, David Cameron has told GQ magazine "I find the [BBC] Ten O'Clock News quite good."  I haven't purchased the print version, which I think contains the quote, but I have readers who will be aghast to see the online version.

The interview, it says, was conducted by "GQ's John Simpson", who still moonlights as the BBC's World Affairs editor.


Cold Feet

An interview with Justine Miliband in the Mirror has muddied the historical waters of her on-off relationship with Ed - and Ed's connections with Stephanie Flanders.

Justine tells the Mirror “I first met Ed when I went to a friend’s house for dinner. I was interested in him, I thought he was good looking and clever and seemed to be unattached. But we just went down a conversational cul-de-sac. Apparently we had nothing in common. He wanted to talk about economics – one of my least favourite subjects.  He didn’t know my friend Adrian. None of our conversations went anywhere. Then I found out he was secretly going out with the woman who had invited us for dinner. I was furious."

"I bumped into him a couple of times after that, but we didn’t start seeing each other for at least a year.”

Most newspapers and websites think the couple's first meeting was in 2002, when they were in their early thirties. Ed was special adviser to Gordon Brown from 1997 til July 2002, when it was announced that he was taking unpaid leave from the Treasury, to teach at Harvard. John Rentoul of The Independent, no fan of Miliband, thinks the dinner party hostess was Stephanie Flanders. Stephanie joined Newsnight some time in 2002, having spent the previous year with the New York Times.

However, other papers put that first Ed/Justine meeting in 2004. Stephanie was still with Newsnight, and Ed had come back from the States, appointed by Gordon Brown to lead the Treasury's Council of Economic Advisers - as a replacement for Ed Balls.

Previously, we were led to believe that Ed's dalliance with Stephanie came just after his graduation from Corpus, Oxford in 1992. Ed was a researcher on Channel 4's A Week In Politics.  Stephanie was either at the London Business School or the Institute for Fiscal Studies.

Meanwhile, back to Justine:“Canvassing in the rain always reminds me of falling in love with Ed in 2005”. That fits more with a 2004 first meeting, but the Mirror's timeline is still confusing....

The next time they met, Ed and Justine found they did have shared interests. Ed was about to be made Secretary of State for Energy and Climate Change. Justine had just written a book on the subject They also shared a similar sense of humour. 

That appointment was made in October 2008. I think we need a full infographic on all this...  Much more fun than politics.

  • 0830 Friday update: Front page of the Mail has more than you might wish to know....



Perfect match

The BBC - a learning organisation. Auntie is advertising for a project manager to look after both the Top Gear and Good Food websites. It was, after all, the lack of a hot meal that disrupted Top Gear's inexorable rise to worldwide media dominance....

Photos please

It's rare that the BBC moves into a new building without a fanfare. The London staff of BBC Worldwide are now ensconced in their shiny new offices at the front of Television Centre, leaving the Media Centre, further up Wood Lane, increasingly echo-ey and desolate.

I understand there's a ground floor cafe, a wood and white plaster twirly-wirly staircase, trendy exposed ceilings and many more amusing breakout spaces (beloved of mockumentary W1A). It's just that no-one seems ready to publicise them, as we head to a General Election and the Charter Renewal debate...

Sharing news

Congratulations to Charlotte Moore and BBC1 for great first-quarter audience share - the highest for ten years. We are pointed to the success of "Original British Drama" as a driver. It might be useful, in a team sense, to learn how the television portfolio as a whole performed over the same period

Those of us who snorted at the return of Poldark (I am one) have now to eat raw pilchards - the show, and the glistening body of Aidan Turner, is coming back for a second series. The actor's official Twitter account has issued just two tweets. I am marginally entertained to note that he counts among his 34,000 followers the jazz singer Liane Carroll, Twitter's Head of News and Government Partnerships Joanna Geary, and Visit Truro.

Wednesday, April 8, 2015

Pin-head dancing

The BBC's tv highlights for 24th April are Later with Jools Holland on BBC2 and BBC Young Dancer 2015: Hip Hop Final on BBC4 (BBC Wales Music production from the Riverside Centre Newport).

Nonsense. The highlight will be Jeremy Clarkson hosting Have I Got News for You ? A BBC spokesman said "Jeremy's contract has not been renewed on Top Gear but he isn't banned from appearing on the BBC".  Alan Yentob, previously so eloquent on the issue of his friend's issues, is on holiday in Marrakech, if anyone would like to track him down and seek an explanation of this entertaining approach to workplace violence.

It's possible that Head of Risk, or some such functionary, has decided it better be recorded well in advanced, and that the DG has already viewed a "For Your Eyes Only" copy.

Counting house

Finally, some new salary stuff from the BBC, in response to their ever-growing Freedom of Information request inbox (2,105 made in 2014 - just over eight every working day).

The average salary in BBC News. of those graded on Bands 2 to 11, was £62,012, as at 30th June 2014. My readers at the Mail will note that this is, at least, slightly below the basic for an MP.

It does not, however, not include staff paid on a Special Personal Salary - 473 of them, all likely to be on rates above the top of their nominal grade. The BBC says it won't publish those details: "Salaries for staff on SPS conditions are individually negotiated and as such the published roof doesn’t apply. This means that the recipient has an all-inclusive salary that buys out their entitlement to other allowances". I suspect this non-disclosure will be challenged.

The average also doesn't include the salaries of the 103 employees paid as Senior Managers. There's one Senior Manager for every 70 workers. Between March 2013 and June 2014, the number of Senior Managers fell by 4. Spookily, the number of staff graded 11 ("SM3" as the unions like to call it) grew by 8.  If you add them in to the mix, there's a well-paid manager for every 27 workers.

As we've noted in this blog, there's been a steady exodus of staff taking redundancy deals in the past month. But in these new figures, total News employees grew (albeit only by 5) between March 2013 and June 2014, to 7278. Director James Harding clearly had some catching up to do on his savings targets.

Tuesday, April 7, 2015

It's not where you start...

"Internal Communications and Engagement (IC) sits right at the centre of the BBC."  True, at least in a sort of centre-of-England Birmingham-based way.

The statement comes from a job ad, one of a range being advertised as the BBC fails to persuade staff to re-locate to half-empty offices leased at the Mailbox. (It's not just a Birmingham problem; Children in Need and Future Media have a range of vacancies in Salford, as existing expertise opts for the redundancy deal rather than follow their department out of London.)

The ad is for a Head of Internal Communications and Engagement (Corporate), graded at Band 11, reporting into the Director of Internal Communications and Engagement, presumably paid more and presumably based in London. IC "connects the organisation’s 21,000 employees to each other; to the BBC’s public purpose and mission, and to the vision of the Director-General."

"To achieve this, the Central IC and Engagement team directly supports the Director-General’s office and Executive Team to deliver pan-BBC messages across a number of different communications channels."

Except that the Director of IC stays in London, and presumably emails pan-BBC messages to Birmingham. While the Head of IC "leads and inspire the Central Internal Communications & Engagement team in Birmingham", exhorting them to brook no obstacle in passing the emails on to the 21,000 employees. I hope the team producing W1A have spotted this...

  • This Director of IC is so pivotal that he or she is not listed in BBC Senior Management - either as earning £150k and over, or as "one of those with the greatest responsibility for spending public money and for overseeing the BBC's services and operations."

BBC election news 2

Ed Miliband on the licence fee, in the Radio Times

"I am a supporter of the BBC and I think it should be renewed. I’m not going to get into the level, which will be a matter for negotiation and discussion. I think it’s incredibly important that we protect the BBC. It’s recognised around the world and is a benchmark for standards in Britain.”

Asked whether he shouted at news bulletins about his party, Miliband said: “I tend not to watch the news, actually. That will sound a little strange. Look, I tend not to spend much time watching myself on TV.”

“Obviously, I do watch the news, but I tend not to shout at the screen.”

BBC election news 1

"I listen to Radio 4 in the morning and the rest of the day I have 6 Music on. I love it. I’d happily pay my licence fee just for 6 Music."

Samantha Cameron, 43, in the Mail.

Monday, April 6, 2015

Brand loyalty

It's taking BBC America some time to adjust to new realities, if you look at today's schedule. Or perhaps they've decided to become an archive channel.


Risus Sardonicus

Shall we encourage the BBC not to make a series out of Michael McIntyre at the Coliseum ? It took nearly four hours to record the 58 minutes and 15 seconds that made the screen. The production company  - an unholy alliance between McIntyre, Dragon Peter Jones and Mr Holly Willoughby -threw a pretty old-fashioned kitchen sink at an audience of over 2,000. Hoofers from the (touring) cast of Anything Goes, a Chinese ballet balancing couple, an American card trickster, cute piano playing kids, Catherine Tate doing a sanitised "Nan" in the balcony, and insufficient Bill Bailey and Eddie Izzard. Plus Ella Henderson and the woman with a wig hat.

I shall fill in the overnights if and when they arrive. Will the cost per viewer figure in tv's accounts for the last financial year, or this, Danny ?

  • 1050am update: 4.25m (20% share)

Saturday, April 4, 2015

Easter camp

The BBC's distinctive, quality contribution to live music this Easter - old people singing Eurovision songs at the Apollo with the Strictly Come Dancing synthesisers - attracted 1.89m viewers in the overnight ratings - 9.5% of the available audience. Let's hope our Euro partners defrayed the costs appropriately.

Example

Dharmash Mistry has been brought to the BBC Executive board for his experience in digital marketing. Here's how it works...


Friday, April 3, 2015

New boy

I think someone at BBC Worldwide has taken an executive decision about Top Gear.com, with a revised masthead....















Meanwhile let's keep an eye on sales of Top Gear magazine, at 67 in the 2014 chart with average monthly sales of 130, 450.  It was at No 5 in the digital subscription table, with 14,100 customers.

Sitrep

A couple of weeks ago I got over-excited, believing the BBC was about to release a wodge of stats about senior manager pay. Sadly the Corporate Imodium is still working, and nothing has emerged.

The principal ferreter in this matter is Spencer Craig (Is he real ? Is he a character in a Jeffrey Archer novel ?), who has formally complained to the Office of the Information Commissioner about the handling of three requests dating back July, September and October last year.

Spencer (and I) seem to have been led up the garden path by BBC compliance lawyer Simon Pickard, who indicated answers were imminent. Maybe someone else was leading Simon around the herbaceous border...

Longueurs

Clearly it's possible to take away anything you like, in spinning the winners and losers in last night's election debate. But I don't think you can say it was too short for the contenders to have their say. The trouble was, they came with very little to say, and little willingness to debate, which to my mind, means building an argument in response to other's assertions and questions.

David Cameron had "sticking to the plan" and a slightly rueful look in cutaways. Was he looking Prime Ministerial or hurt and surprised when the others said he wasn't very good ?

Ed Miliband, on splayed legs, had a smiley calm, which I hope wasn't chemically induced. He said "working" rather than "hard-working", and started too many turns to the camera with "Look".

Nick Clegg had borrowed James Landale's imaginary football to shape with his hands, and whatever difference he offered in 2010, had disappeared, as he shuffled on a patch of now-imaginary middle ground.

Nigel Farage was either loathsome or soopah, depending on your point of view. What was entertaining was that he could finger-wag at the blokes, but all three women bettered him at one time or another. Leanne Wood, for Plaid, looked a little like she was on her way to a second marriage hen night, in one of Manchester's loucher clubs. I'm not suggesting she had been pre-loading, and she managed to make it sound like Plaid mattered, which is a hard trick.

Nicola Sturgeon, lauded in the papers and post-match polls, proved to me that she's been well-mentored by Alex Salmond, and is every bit as ruthless in debate. Is that nice or nasty ?

Natalie Bennett had massively improved, and offered more factoids on all subjects than any of the others. However, in getting more policy across, more people might have been surprised by the hippier bits. She remains Australian.

Julie Etchingham was poor. In the debate sections, no-one really knew when she said a name whether it was an instruction to speak or shut-up - and so she was largely ignored, as the persistent won through, whether they had anything new to say, or just wanted to recycle one of the sound-bites they'd used a little earlier.

Ed won the bit at the end, by going to shake hands with the front row of the audience. I think Nathalie thought harder about shaking Nigel's hand than did Dave, but they both did it.

Other people who read this.......